Underlondoners (
underlondon_npc) wrote2011-01-14 02:14 am
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Entry tags:
- aeronwy whitefell,
- ariel mohammed,
- camden market,
- carmody james,
- celia arden,
- dodge howells,
- dominique ali,
- eden bright,
- eli jacobs,
- elodie bennett,
- gryff jones,
- jack warwick,
- jenny 'sparks' chen,
- lucy malin,
- meda bennett,
- nix gordon,
- romilly bright,
- shopping trips,
- spencer reid,
- threnody harper,
- vikram 'suicide' singh
Outside of Muses: Camden Market, Christmas 2032
At first glance, the busy street Nix ushers Reid out to looks like something out of a Charles Dickens book, although slightly more sanitised than that. The street is narrow and jammed with stalls selling a massive variety of food, clothing, small animals, tools, odd-looking electronics and virtually anything (and everything) else. Few people in the street look particularly well-off - or particularly clean - although there's a wild variation in outfits, ages, genders and races. There are even horses and carts, although the occasional electric flicker betrays the fact that the horses, at least, are some kind of hologram, and in the sky are pigeons, and odd flying shapes that look as if they might be some kind of motorcycle or quadbike. Far off, and high up, an odd-looking machine like a train or perhaps a tram whirrs and rattles along elevated rails into the distance as it snakes through the tallest buildings.
The overall impression is that of noise and ragged colour and smoky late-afternoon air, all highlighted by the rather incongruous-looking strands of fairylights and the lightly falling snow. London smells odd: not entirely unpleasant, but smoky and damp, with an odd note of petrol and oils, maybe even gunpowder, behind the smells of dozens of cultures' worth of cooking food.
Nix turns to Reid with a laughing, red-lipped grin, gesturing with her furled umbrella. The door she's holding open for him is now that of a pub, the George Cross, with people laughing, shouting and drinking behind them as they had been in Milliways, but unlike Milliways it's far pokier, darker and overheated: it's no surprise that she preferred to drink at the end of the universe, when the opportunity presented itself.
"Welcome to London!"
The overall impression is that of noise and ragged colour and smoky late-afternoon air, all highlighted by the rather incongruous-looking strands of fairylights and the lightly falling snow. London smells odd: not entirely unpleasant, but smoky and damp, with an odd note of petrol and oils, maybe even gunpowder, behind the smells of dozens of cultures' worth of cooking food.
Nix turns to Reid with a laughing, red-lipped grin, gesturing with her furled umbrella. The door she's holding open for him is now that of a pub, the George Cross, with people laughing, shouting and drinking behind them as they had been in Milliways, but unlike Milliways it's far pokier, darker and overheated: it's no surprise that she preferred to drink at the end of the universe, when the opportunity presented itself.
"Welcome to London!"
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"All right, kids, time to act like adults again. Stairs!"
Threnody flicks her dreadlocks out, but heads for the steps. "You spoil all my fun, you do."
"She's a bitch," agrees Gryff, swinging himself down after her. "But we love her. Well, sometimes."
The iron fire escape is old and battered-looking, but it's solid enough, leading down six storeys to a tiny alley just off a main thoroughfare. Jack is waiting for them at the bottom, standing next to an open grill in the ground.
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Jack grins when she sees Reid. "Nice goin', newbie. Drop through - it's near seven feet down, but it's onto solid ground and Ariel and Carmody'll catch you. Then it's pretty much straight down through the Underground and we're home and dry soon as this hatch slams shut."
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His voice isn't as shaky as it could be, but he's still nervous. But he trusts these people, he thinks - they haven't done him wrong yet.
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When it's Reid's turn, Ariel and Carmody are both waiting as promised, calm and capable. The passageway they are waiting in has the unmistakable curved walls of the old London Underground, dimly lit and dirty but at least the air smells clear enough, just a little musty. There's a strip of dim lights on the ceiling, illuminating just enough to find your way without too much difficulty. If the signs are anything to go by, they're on the Northern Line.
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"I don't remember it ever running," says Threnody, pushing her hair away from her face. "The bombings were before I was born. I remember when they opened the Overground, though." She looks at Reid curiously. "When're you from, then?"
Nix whistles, and the dogs make elegant leaps down one after the other and sit waiting for Jack, though the big Boxer looks at Reid.
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He's pretty sure saying 'Quantico' wouldn't be the best idea.
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Carmody blinks. "Did you say when?"
"We'll explain later, Car," Nix cuts in hastily. She slides an impish look at Reid. "Maybe over a drink, if we get chance."
Jack's own method of getting down to the tunnel is a little less orthodox: she picks up the hatch cover by the handles on its underside and simply jumps. The cover locks neatly into place, leaving her hanging for a moment before she lets go and drops the remaining foot or so to the floor.
"All present and correct?" she asks. "Good. Ariel, gimme a hand with this."
Turning a massive, heavy handle covers the entrance with another thick layer of metal, but it takes both of them to do it. Nix hits a tiny red button in the wall, and it electrifies with a sizzle.
"That'll fry anyone who tries to follow us without callin' Communications first," she explains to Reid. "Come on, you lot, our chariot awaits."
"A chariot would be nice," Threnody says, sighing, but she smiles at Reid. "C'mon, we'll show you the other reason we're the London Underground."
"Jack, Carmody, take the dogs on ahead?" Nix asks as she takes his hand again. "I don't think they're too happy."
The two obey, taking Ariel with them to leave just the four of them to navigate the tunnels. It's cold down here, colder even than outside, so no-one hangs around as they head down a disused escalator (the old posters are still on the walls, grimy and torn; the electric screens flicker periodically with nonsense), along another passageway (Northern Line heading South) and down another motionless escalator.
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"I'm sorry this happened to your city," he says quietly.
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"Co-fucking-signed," says Gryff; Threnody isn't saying anything.
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Threnody links her arm through Nix's, still quiet. "My dad, too. Mamma had to babysit at the last minute. When they started rounding everyone up, she ran for it with us. I don't really remember him, though."
Gryff shrugs, his jaw tight. "I just got caught being a naughty boy ... with another boy. No idea what happened to him. My parents are still alive, but I don't think they'll stay that way if I go back."
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Nix slides her arm around her sister's shoulders. "Hey, Firefly, c'mon. Got you out of it, didn't I?"
Threnody manages a smile. "Wait, is that meant to be a good thing?"
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"Cheeky brat," Nix says fondly. "Hey, Bright Spark, what's Vegas like, then? No fair you just getting all our history."
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"It's big, and bright and noisy, but that's all the tourist stuff. Underneath... It's a city in the middle of the desert. It's easy to forget that, when you're... downtown, but in the suburbs? Hard to forget."
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"I wanna go," Threnody says unexpectedly. "I wonder what all that space is like!"
"Lumpy and boring-like, if North Wales is anything to go by," says Gryff. "But probably not as rainy, I suspect."
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"Hey, at least you get out of the tunnels more'n once in a blue moon," Threnody argues. "Last time I really went outside properly was October, before this! And Mamma's goin' to play hell now, and I didn't even get properly shot at or anythin'."
"Cheer up, baby," says Nix, laughing. "Serves you right for making Head of Tech so young - we daren't lose you."
"Pfft." Threnody sticks her tongue out, but only makes Nix giggle more. "Quit it with the logic, that's my job."
"And playin' peace-maker is mine, apparently," puts in Gryff, who rolls his eyes at Reid. "Girls, huh?"
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"Mean!" they chorus, laughing, and although they might be adopted sisters, there's definitely some family likeness going on there.
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The stairs round a corner, finally leading out onto a platform... with two carriages' worth of rather old-looking train waiting for them. A tall, beautiful woman with dark skin and black corkscrew curls is waiting for them, too, looking impatient and carrying yet another gun - a semiautomatic.
"There you are!" she exclaims, her English perfect but her accent unmistakably French. "Did you take the scenic route or something?"
"Just dawdled, Dominique," chirps Threnody cheerfully, hopping onto the train. "Did you miss us, children?"
"Nearly went without," says Jack - the rest are already on. "Come on, lazybones, there's beer waiting for us!"
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