Underlondoners (
underlondon_npc) wrote2011-01-14 02:14 am
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Entry tags:
- aeronwy whitefell,
- ariel mohammed,
- camden market,
- carmody james,
- celia arden,
- dodge howells,
- dominique ali,
- eden bright,
- eli jacobs,
- elodie bennett,
- gryff jones,
- jack warwick,
- jenny 'sparks' chen,
- lucy malin,
- meda bennett,
- nix gordon,
- romilly bright,
- shopping trips,
- spencer reid,
- threnody harper,
- vikram 'suicide' singh
Outside of Muses: Camden Market, Christmas 2032
At first glance, the busy street Nix ushers Reid out to looks like something out of a Charles Dickens book, although slightly more sanitised than that. The street is narrow and jammed with stalls selling a massive variety of food, clothing, small animals, tools, odd-looking electronics and virtually anything (and everything) else. Few people in the street look particularly well-off - or particularly clean - although there's a wild variation in outfits, ages, genders and races. There are even horses and carts, although the occasional electric flicker betrays the fact that the horses, at least, are some kind of hologram, and in the sky are pigeons, and odd flying shapes that look as if they might be some kind of motorcycle or quadbike. Far off, and high up, an odd-looking machine like a train or perhaps a tram whirrs and rattles along elevated rails into the distance as it snakes through the tallest buildings.
The overall impression is that of noise and ragged colour and smoky late-afternoon air, all highlighted by the rather incongruous-looking strands of fairylights and the lightly falling snow. London smells odd: not entirely unpleasant, but smoky and damp, with an odd note of petrol and oils, maybe even gunpowder, behind the smells of dozens of cultures' worth of cooking food.
Nix turns to Reid with a laughing, red-lipped grin, gesturing with her furled umbrella. The door she's holding open for him is now that of a pub, the George Cross, with people laughing, shouting and drinking behind them as they had been in Milliways, but unlike Milliways it's far pokier, darker and overheated: it's no surprise that she preferred to drink at the end of the universe, when the opportunity presented itself.
"Welcome to London!"
The overall impression is that of noise and ragged colour and smoky late-afternoon air, all highlighted by the rather incongruous-looking strands of fairylights and the lightly falling snow. London smells odd: not entirely unpleasant, but smoky and damp, with an odd note of petrol and oils, maybe even gunpowder, behind the smells of dozens of cultures' worth of cooking food.
Nix turns to Reid with a laughing, red-lipped grin, gesturing with her furled umbrella. The door she's holding open for him is now that of a pub, the George Cross, with people laughing, shouting and drinking behind them as they had been in Milliways, but unlike Milliways it's far pokier, darker and overheated: it's no surprise that she preferred to drink at the end of the universe, when the opportunity presented itself.
"Welcome to London!"
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A job that consisted of stealing diamonds out of the British Museum. Ahem.
"Y'okay to go say hi?"
Being introduced to a group of strangers is a bit daunting, after all. Especially when you're turning up on their friend's arm.
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Famous last words, it's true, but he probably will be.
The over-riding impression given by the group on the bridge is ‘young and scruffy’ – the oldest are in their early thirties, but most of the seven or eight adults are in their twenties or late teens. None are dressed alike, though there’s a definite trend towards well-used army boots and battered fur-lined coats hiding – or not hiding – a motley assortment of weaponry. Most are chatting as they watch the skaters, but one or two seem to be on informal sentry duty, even here. The first to notice Nix and Reid is one of the older ones, a tall white woman with an eyepatch and curly dark hair, as her good eye fastens on the sleepy girl on Nix’s hip and she goes sprinting to meet them.
"Elodie!"
"Found her in the metal market a couple’a minutes ago, thanks to Spike," Nix explains, gratefully handing the dozing little girl into the woman's open arms. "Go to mam, Ely. Was she gone long, Meda?"
Whatever the woman replies is drowned out, however, as a very tall, very young, very pretty black girl with a sweet face and a thick mane of waist-length dreadlocks detaches herself from the group to meet them. "Nix!" she demands, "Who's the stranger?"
Nix grins as she fends the younger girl off with her free arm. "This is Spencer, Firefly. He’s from the bar. Bright Spark, this is my kid sister, Threnody."
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"Ah, hi, nice to meet you." He meets a lot of people - some of them quite strange - in his line of work, but the people Nix has been introducing him to... really take the cake.
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"It'd be a first if she has," remarks Ely's mother quietly, still holding her daughter close. "I'm Meda, Spencer. You'll have t' forgive me not shaking hands."
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When he offers a handshake, it’s clear his ring finger is missing.
"We've been hunting all over for that kid," he says, nodding at Elodie. "Which reminds me - the Abbess's still out lookin'. Jack, bring her in?"
"On it," answers a tawny-haired woman who might be a hunter in her belted long leather coat and riding boots, her rifle strapped across her back; she whistles to the three dogs and trots off with them into the alleys.
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"I noticed you sent one of the ones that've never been to the bar," Nix says; she's quieter now, less eager to show off while they're surrounded, and though she's not defensive she did take care to put herself more or less between Reid and her group.
Gryff grins at her, and it's an attractive grin, though he doesn't use it often. "Well, yeah. There's just Carmody, now, and I think they're distracted for the time being."
Nix nods, looking over at the rest of the group, most of whom have stayed on the bridge for the time being, although there are plenty of curious looks directed Reid and Nix's way. As far as the adults go, there’s a short, shrewd-eyed plump girl, a black rose perched at a rakish angle on her blonde-and-pink dreadlocks; a slim, coffee-skinnned man in his late twenties with black curls and a tired face; a short blonde pixie of a girl with lively eyes, whose array of knives on her belt suggest she’s probably the Eden Nix was shopping for earlier; a tall, androgynous twenty-five-year-old with spiky dark hair, high-heeled boots and a perpetually wary look; and a dark, slightly older man in a faded blue keffiyeh with a gentle face and a soldier’s bearing.
Besides Elodie there are three other children with them, presently busy sliding on the ice: a shy-looking twelve-year-old boy in dungarees, his dark hair in neat cornrows, a sturdy, sharp-eyed ten-year-old boy with a shock of white-blonde hair, and a cheeky-faced seven-year-old girl, well muffled up, sporting blonde bunches and distinctive red wellington boots.
"Almost all here," Nix comments, and Gryff and Threnody nod. "Just Jack, the Abbess and Romilly left." She glances at Reid. "We'll be headin' back when they turn up. Should be able to find a door for you along the way, though."
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"It's been nice visiting," he says. "Very interesting, too; it does make me wonder, just how things will turn out back home, you know?"
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"Smile, Baldy. Lookin' like a hen left out in the rain's my job."
That makes her grin and poke her tongue out. "Cheeky bastard."
"Yeah, yeah, yeah." Gryff rolls his eyes at her, smirking at Reid. "She's so mean to me."
"You're both as bad as the other," Threnody declares. "Hey, did you two hear about Eden's run-in with the Ripper?"
"How could we?" demands Nix. "We only just got here. What happened?"
"Let Eden tell it, Threnody," Meda interrupts. "She'll play hell if she doesn't. Reckon you can cope with a bit more of our mob, Spencer? I don't think I've seen that girl on her own once since I've met her."
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"Yeah... Uh, how thorough is the, ah... imitation?" he asks. "I mean, do they try to copy every detail of his MO, or do they tend to have their own unique psychoses?"
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"Four if you count the one I sorted out over in Brixton two years back," says Nix. "Though that might've just been your average rapist in a daft get-up. Once he pulled the knife, I didn't let 'im give me chance to find out."
"This one's been keeping it pretty close to the classic model, far as I heard." Meda glances at her daughter, now sleeping soundly in her arms, then at Reid. "Want me to call Eden over?"
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They would be far less likely to get caught if they didn't imitate the Ripper; of course, it could be that they were trying to get caught, trying for notoriety, more than anything else, and that would change the profile he had already started automatically building, too.
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Threnody is oblivious to Reid's thoughts, but Gryff, older and paying more attention, raises his eyebrows silently at Nix and gets a tiny nod and a warning shake of the head in return.
Meda whistles, meanwhile, and the set of notes must be a code because the blonde, knife-carrying teenage girl leaves the larger group to trot across to them accompanied by the keffiyeh-wearing man she'd been talking with.
"You rang?" Eden asks. As soon as she speaks, she's unmistakably Irish: a jaunty, lean seventeen- or eighteen-year-old of an inch or two over five feet tall, wearing a short parka, calf-high riding boots and an air of invincibility despite her height. She gives Reid a bright-eyed, flirty look as soon as she reaches them, unabashedly looking him up and down. "Oh, hello." Her smile is frankly wicked. "You're gonna have to introduce y'friend to everyone, Nix, before Celia gets so curious she goes bang."
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"Pleased to meetcha." Eden smiles up at him, eyes dancing as she shakes his hand. "Eden Bright. D'you always give y'name all formal?"
"Eden," the older man says warningly, "Play nice." He offers Reid a sleepy-eyed, slightly apologetic smile and a little wave, but no handshake. "I'm Ariel - Ariel Mohammed. I take it you're from Milliways?"
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The blonde girl shoves him playfully. "I am so bullied," she tells Reid sorrowfully. "You should take pity on me."
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"Anyway," Nix cuts in, "We didn't bring you over to flirt, Eden. Threnody said something about you meeting the Ripper?"
The blonde girl laughs infectiously. "Oh, that. Well, I was down near the old museum, you know? And I reckoned I'd beat the crowds coming back if I went round Pratt Street way, only I’m just goin’ round the corner wi’ Treacle Junction and there’s this feckin’ eejit in a black cape'n'hood and that, stepping out the shadows and swishin’ his cloak like he’s king of friggin’ everything. I felt like, oh, you have got to be kiddin’ me, but then he actually pulls out this bastard of a knife and starts mumblin’ on about how I was gonna scream and scream and scream, givin’ it all that like he was a third-rate superhero villain or somethin’. I tell him I’m with the Underground, so piss off, but he just keeps wittering about how much I’m gonna scream tonight."
Nix is leaning on Reid’s shoulder, evidently agog. “Go on, Ede, what did you do with the silly sod?”
Eden grins broadly, enjoying her audience. “Told ‘im I don’t scream for ugly guys, then kicked ‘is ‘ead in.”
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....yeah, no, that about sums it up.
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Eden shrugs. "He might've still been breathing? I didn't check, but if 'e was, it wasn't 'cause of lack of effort. I took 'is knife as a souvenir, and Me'n Ariel left 'im over at the cop shop down by Euston, anyway. We reckoned we'd make a present of it, so," she giggles, "I left a Christmas card and a little pink bow on 'is head. A sparkly bow."
The other three Underground members laugh, but Ariel raises dark eyebrows. "Reckon you've scared the newcomer, Ede. Not that you don't scare me on occasion."
Eden throws out her hands. "Well, what was I s'pposed to do? Swoon onto my faintin' couch?"
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